Ghigo Roli photographer

Parma

Works and monuments of the city of Parma: the bas-reliefs of the Baptistery, the frescoes by Correggio in the Church of S. Giovanni Evangelista and in the Duomo, those by A. Araldi in the former Monastery of San Paolo.

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“Holy Family with Two Saints”, by Parmigianino, 1520-4, sanguine with white highlights on light brown paper.

“Holy Family with Two Saints”, by Parmigianino, 1520-4, sang...

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Fontanellato, Rocca Sanvitale: "Portrait of Barbara Sanseverino Sanvitale", copy of a painting by Parmigianino.

Fontanellato, Rocca Sanvitale: "Portrait of Barbara Sansever...

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Parma, Church of San Giovanni Evangelista: fresco by Girolamo Francesco M. Mazzola, known as Parmigianino (about 1523). Detail with puttos.

Parma, Church of San Giovanni Evangelista: fresco by Girolam...

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Parma, Church of San Giovanni Evangelista, left aisle, second chapel: "St. Stephen and St. Lawrence", fresco by Girolamo Francesco M. Mazzola, known as Parmigianino (about 1523).

Parma, Church of San Giovanni Evangelista, left aisle, secon...

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Parma, Church of San Giovanni Evangelista, left aisle, second chapel: "St. Vitalis and the horse", fresco by Girolamo Francesco M. Mazzola, known as Parmigianino (about 1523).

Parma, Church of San Giovanni Evangelista, left aisle, secon...

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Parma, Church of San Giovanni Evangelista: fresco by Girolamo Francesco M. Mazzola, known as Parmigianino (about 1523). Detail with putto.

Parma, Church of San Giovanni Evangelista: fresco by Girolam...

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Parma, Church of San Giovanni Evangelista, left aisle, first chapel: "St. ", fresco by Girolamo Francesco M. Mazzola, known as Parmigianino (about 1523).

Parma, Church of San Giovanni Evangelista, left aisle, first...

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Parma, Church of San Giovanni Evangelista: fresco by Girolamo Francesco M. Mazzola, known as Parmigianino (about 1523). Decoration detail with flowers and fruit.

Parma, Church of San Giovanni Evangelista: fresco by Girolam...

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Parma, Church of San Giovanni Evangelista, left aisle, first chapel: "St. Lucia and St. Apollonia", fresco by Girolamo Francesco M. Mazzola, known as Parmigianino (about 1523).

Parma, Church of San Giovanni Evangelista, left aisle, first...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39). Detail.

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Church of St. Maria della Steccata, arch of the eastern arm of the transept: frescoes by Girolamo Francesco Maria Mazzola, known as Parmigianino, with caryatids which refer to the legend of the Wise Virgins and the Mad Virgins (1530-39).

Parma, Church of St. Maria della Steccata, arch of the easte...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale. In this lunette it is likely depicted Paola Gonzaga, in the likeness of the goddess Ceres.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of a putto, from the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the Northern wall of the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. Actaeon, turned into a stag, is eaten by his own dogs.The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of a putto, from the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the Northern wall of the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. Actaeon, turned into a stag, is eaten by his own dogs.The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail with dogs, from the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of a putto, from the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale. Two nymphs attending at the Diana's bath,

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of Diana bathing, from the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of Diana bathing, from the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale. Detail of the south side, with Actaeon turned into a stag.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale. Detail of the south side, with Actaeon.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale. Detail of the south side, with Actaeon and two hunting companions.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...

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Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: view of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovid's Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.

Parma, Fontanellato, Rocca Sanvitale, room of Diana and Act...