Ghigo Roli photographer

Vicenza

A gallery dedicated to the Venetian town, the cradle of some of the masterpieces by the Renaissance architect Andrea Palladio. The historic centre with the Renaissance palaces, the Palladian Basilica, the Olympic Theatre, the Church of Santa Corona, the Church of St Lawrence, the Cathedral, but also the museums such as Palazzo Chiericati with the rich collection of paintings and sculptures, and the Museum of the Jewel.

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Vicenza, Bar Borsa: interior of the live jazz music bar.

Vicenza, Bar Borsa: interior of the live jazz music bar.

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Vicenza: view of Andrea Palladio Avenue in the historic centre with some coffee bar tables.

Vicenza: view of Andrea Palladio Avenue in the historic cent...

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Vicenza, Delle Erbe Square: night view with bar and restaurant tables. In the background on the left, the medieval Girone Tower, due to the moat that surrounded it, or the Torment Tower, because it was later used as a prison.

Vicenza, Delle Erbe Square: night view with bar and restaur...

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Vicenza, Delle Erbe Square: night view of the bar and restaurant tables.

Vicenza, Delle Erbe Square: night view of the bar and restau...

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Vicenza, Delle Erbe Square: night view of the bar and restaurant tables.

Vicenza, Delle Erbe Square: night view of the bar and restau...

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Vicenza, Delle Erbe Square: night view of the bar and restaurant tables.

Vicenza, Delle Erbe Square: night view of the bar and restau...

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Vicenza, Stamperia d’Arte Busato: checking a litograph plate.

Vicenza, Stamperia d’Arte Busato: checking a litograph plate...

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Vicenza, Stamperia d’Arte Busato: checking a litograph plate.

Vicenza, Stamperia d’Arte Busato: checking a litograph plate...

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Vicenza, Stamperia d’Arte Busato: checking a calcography plate.

Vicenza, Stamperia d’Arte Busato: checking a calcography pla...

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Vicenza, Stamperia d’Arte Busato: drawing up the colour on a calcography plate.

Vicenza, Stamperia d’Arte Busato: drawing up the colour on a...

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Vicenza, Goldsmith Shop Daniela Vettori, the laboratory: working on a ring.

Vicenza, Goldsmith Shop Daniela Vettori, the laboratory: wo...

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Vicenza, Goldsmith Shop Daniela Vettori: Margherita Galla in the laboratory working on a ring.

Vicenza, Goldsmith Shop Daniela Vettori: Margherita Galla i...

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Vicenza, Jewellery Museum: necklace, By Gianmaria Buccellati, 1996; amethyst, citrine, gold.

Vicenza, Jewellery Museum: necklace, By Gianmaria Buccellati...

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Vicenza, Jewellery Museum, Room Icons: brooch inspired to The Last Supper by Leonardo da Vinci; third decade of the XIX century; miniature in enamel, gold, pearls, sapphires, diamonds

Vicenza, Jewellery Museum, Room Icons: brooch inspired to Th...

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Vicenza, Jewellery Museum: bracelet of the Egyptian Revival set, representing Egyptian gods, 1920, in platinum, diamonds and yellow gold.

Vicenza, Jewellery Museum: bracelet of the Egyptian Revival...

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Vicenza, Jewellery Museum: necklace and earrings, Turin, 1800, in yellow gold, wood and ivory.

Vicenza, Jewellery Museum: necklace and earrings, Turin, 180...

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Vicenza, Jewellery Museum: view of the room Art.

Vicenza, Jewellery Museum: view of the room Art.

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Vicenza, Jewellery Museum, room Fashion: above, necklace by Sveva Camurati; 2016; pvc pleated by hand and mounted on brass chain, Swarovski rhinestones, aluminum chain. Below, Necklace, di Sharra Pagano, Fireworks Collection, 2018; glass, crystals.

Vicenza, Jewellery Museum, room Fashion: above, necklace by...

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Vicenza, Jewellery Museum, room Fashion: multi strand bead necklace attributed to EMILIO PUCCI, designed by Lyda Coppola; early 2960s; strung fire polished faceted glass beads in several shades of red.

Vicenza, Jewellery Museum, room Fashion: multi strand bead...

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Vicenza, Jewellery Museum, room Beauty: necklace, Ascione, Echo Collection, 2019.18 kt rose gold plated silver, Mediterranean coral of various colours.

Vicenza, Jewellery Museum, room Beauty: necklace, Ascione,...

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Vicenza, Jewellery Museum, room Beauty: necklace and pendant, by Daniela Vettori, Bamboo Collection, 2004, hand-worked 750 gold with fire and hammer, brilliant-cut diamonds.

Vicenza, Jewellery Museum, room Beauty: necklace and pendan...

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Vicenza, Jewellery Museum, room Symbol: “Crown of the Madonna of Monte Berico”, in gold, white gold, diamonds, peridot, amethyst, rubies, sapphires, pearls, colored stones; 1900

Vicenza, Jewellery Museum, room Symbol: “Crown of the Madon...

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Vicenza, Jewellery Museum: view of the room Symbol.

Vicenza, Jewellery Museum: view of the room Symbol.

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Vicenza, Jewellery Museum: view of the room Symbol.

Vicenza, Jewellery Museum: view of the room Symbol.

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View of the Villa Almerico Capra known as La Rotonda, which was begun in 1550 by Andrea Palladio for the canon Paolo Almerico and completed by Vincenzo Scamozzi.

View of the Villa Almerico Capra known as La Rotonda, which...

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View of the Villa Almerico Capra known as La Rotonda, which was begun in 1550 by Andrea Palladio for the canon Paolo Almerico and completed by Vincenzo Scamozzi.

View of the Villa Almerico Capra known as La Rotonda, which...

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View of the Villa Valmarana ai nani.

View of the Villa Valmarana ai nani.

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Collection of spheres.

Collection of spheres.

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Collection of spheres.

Collection of spheres.

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Collection of spheres.

Collection of spheres.

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Collection of spheres.

Collection of spheres.

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“St. James and St. Andrew”, by Gagini workshop (?), marble, XV century.

“St. James and St. Andrew”, by Gagini workshop (?), marble,...

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“Last Supper”, by English sculptor, carved alabaster, second quarter of the 15th century.

“Last Supper”, by English sculptor, carved alabaster, second...

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“Ascension”, by English sculptor, carved alabaster, second quarter of the 15th century.

“Ascension”, by English sculptor, carved alabaster, second q...

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"Descent of the Holy Spirit", by English sculptor, carved alabaster, second quarter of the 15th century.

"Descent of the Holy Spirit", by English sculptor, carved al...

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Head, sculpture.

Head, sculpture.

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“Reliquary of the Holy Thorn”, by French and Venetian manufacture, in gilded silver and translucent enamels; 13th, 15th and 19th centuries. Detail.

“Reliquary of the Holy Thorn”, by French and Venetian manufa...

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“Reliquary of the Holy Thorn”, by French and Venetian manufacture, in gilded silver and translucent enamels; 13th, 15th and 19th centuries.

“Reliquary of the Holy Thorn”, by French and Venetian manufa...

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“Encounter on the road to Emmaus”, by Domenico Tintoretto, oil on canvas.

“Encounter on the road to Emmaus”, by Domenico Tintoretto, o...

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“Architecture with figures”, fresco detached from the Malaspina Chapel in the Cathedral of Vicenza, by Giovanni Badile.

“Architecture with figures”, fresco detached from the Malasp...

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Cope called of the parrots, silk fabric made by Sicilian manufacture, second quarter of the 13th century. From the Church of S. Corona in Vicenza.

Cope called of the parrots, silk fabric made by Sicilian man...

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Fragment of tympanum with cross and cruciferous lamb, 9th century, Aurisina stone.

Fragment of tympanum with cross and cruciferous lamb, 9th ce...

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Pluteus with facing peacocks, in Greek marble, 8th century.

Pluteus with facing peacocks, in Greek marble, 8th century.

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“Adoration of the Wise Men”, right side of a sarcophagus in Luni Marble, end IV century.

“Adoration of the Wise Men”, right side of a sarcophagus in...

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“Gioiello di Vicenza”, riproduzione del celebre modellino della città di Vicenza realizzato nel 1578, come ex voto per la Madonna di Monte Berico a scongiurare l’ennesima epidemia di peste, e distrutto dalla truppe napoleoniche nel 1797. Autore della versione originale fu il Maestro Cesare Capobianco forse ispirato dal celebre Andrea Palladio. Questa riproduzione è stata realizzata tra il 2009 e il 2013.

“Gioiello di Vicenza”, riproduzione del celebre modellino de...

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“Gioiello di Vicenza”, riproduzione del celebre modellino della città di Vicenza realizzato nel 1578, come ex voto per la Madonna di Monte Berico a scongiurare l’ennesima epidemia di peste, e distrutto dalla truppe napoleoniche nel 1797. Autore della versione originale fu il Maestro Cesare Capobianco forse ispirato dal celebre Andrea Palladio. Questa riproduzione è stata realizzata tra il 2009 e il 2013.

“Gioiello di Vicenza”, riproduzione del celebre modellino de...

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“Holy Family with saints Infant St. John and St. Elizabeth in a landscape”, by Giandomenico Tiepolo, oil painting on canvas.

“Holy Family with saints Infant St. John and St. Elizabeth i...

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“Le buveur d’eau”, by Edouard Manet etching and drypoint.

“Le buveur d’eau”, by Edouard Manet etching and drypoint.

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“Portrait of Rodenbach”, by Giovanni Boldini, etching and drypoint.

“Portrait of Rodenbach”, by Giovanni Boldini, etching and dr...

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“Cinque Terre (Manarola)”, by Eugenio Montale, etching.

“Cinque Terre (Manarola)”, by Eugenio Montale, etching.

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“Village in Lazio”, attributed to Jean Baptiste Camille Corot, oil painting on canvas.

“Village in Lazio”, attributed to Jean Baptiste Camille Coro...

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“The Judgment of Paris”, by Luca Giordano, oil painting on canvas, second half XVII century.

“The Judgment of Paris”, by Luca Giordano, oil painting on c...

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“Aeneas made immortal by Venus”, by Luca Giordano, oil painting on canvas, second half XVII century.

“Aeneas made immortal by Venus”, by Luca Giordano, oil paint...

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“Bathsheba”, by Luca Giordano, oil painting on canvas, second half XVII century.

“Bathsheba”, by Luca Giordano, oil painting on canvas, secon...

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“Portrait of the Valmarana Family”, by Giovanni Antonio Fasolo, oil painting on canvas,1553-4.

“Portrait of the Valmarana Family”, by Giovanni Antonio Faso...

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“Banquet of Balthazar”, by workshop of Paolo Caliari known as Veronese, oil painting on canvas, end XVI century - beginning XVII century.

“Banquet of Balthazar”, by workshop of Paolo Caliari known a...

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“Adoration of Infant Jesus and angels with the instruments of passion”, by Jacopo dal Ponte detto Bassano, oil painting on canvas, 1540.

“Adoration of Infant Jesus and angels with the instruments o...

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“Madonna and Infant Jesus”, by Jacopo Tatti, known as Sansovino, terracotta, half XV century. Detail.

“Madonna and Infant Jesus”, by Jacopo Tatti, known as Sansov...

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“Madonna and Infant Jesus”, by Jacopo Tatti, known as Sansovino, terracotta, half XV century.

“Madonna and Infant Jesus”, by Jacopo Tatti, known as Sansov...

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“Enthroned Madonna with Infant Jesus between saints Catherine and Mary Magdalene”, by Jacopo dal Ponte detto Bassano, oil painting on canvas, third decade of the XVI century.

“Enthroned Madonna with Infant Jesus between saints Catherin...

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“Presentation of Jesus at the Temple”, by Bartolomeo Montagna, oil painting on canvas, 1510. Detail.

“Presentation of Jesus at the Temple”, by Bartolomeo Montagn...

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“Presentation of Jesus at the Temple”, by Bartolomeo Montagna, oil painting on canvas, 1510.

“Presentation of Jesus at the Temple”, by Bartolomeo Montagn...

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“Enthroned Madonna with Infant Jesus between saints James and Jerome”, by Giambattista Cima da Conegliano, oil painting on canvas, 1489. Detail.

“Enthroned Madonna with Infant Jesus between saints James an...

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“Enthroned Madonna with Infant Jesus between saints James and Jerome”, by Giambattista Cima da Conegliano, oil painting on canvas, 1489.

“Enthroned Madonna with Infant Jesus between saints James an...

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“Adoration by the Wise Men”, by Marcello Fogolino, oil painting, 1511. Detail with hunting scene.

“Adoration by the Wise Men”, by Marcello Fogolino, oil paint...

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“Adoration by the Wise Men”, by Marcello Fogolino, oil painting, 1511. Detail.

“Adoration by the Wise Men”, by Marcello Fogolino, oil paint...

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“Adoration by the Wise Men”, by Marcello Fogolino, oil painting, 1511. Detail.

“Adoration by the Wise Men”, by Marcello Fogolino, oil paint...

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“Adoration by the Wise Men”, by Marcello Fogolino, oil painting, 1511. Detail.

“Adoration by the Wise Men”, by Marcello Fogolino, oil paint...

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“Adoration by the Wise Men”, by Marcello Fogolino, oil painting, 1511.

“Adoration by the Wise Men”, by Marcello Fogolino, oil paint...

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“Adoration by the Wise Men”, by Marcello Fogolino, oil painting, 1511.

“Adoration by the Wise Men”, by Marcello Fogolino, oil paint...

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“Enthroned Madonna with infant Jesus among Saints John the Baptist, Bartholomew, Agustine, Sebastian and three angels playing music”, by Bartolomeo Montagna, oil painting, 1485. Detail.

“Enthroned Madonna with infant Jesus among Saints John the...

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“Enthroned Madonna with infant Jesus among Saints John the Baptist, Bartholomew, Agustine, Sebastian and three angels playing music”, by Bartolomeo Montagna, oil painting, 1485. Detail.

“Enthroned Madonna with infant Jesus among Saints John the...

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“Enthroned Madonna with infant Jesus among Saints John the Baptist, Bartholomew, Agustine, Sebastian and three angels playing music”, by Bartolomeo Montagna, oil painting, 1485.

“Enthroned Madonna with infant Jesus among Saints John the...

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“Madonna with infant Jesus”, by Bartolomeo Montagna, oil painting on panel, last decade XV century.

“Madonna with infant Jesus”, by Bartolomeo Montagna, oil pai...

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“Christ carrying the cross”, by Bartolomeo Montagna, oil painting on panel, first decade XVI century century.

“Christ carrying the cross”, by Bartolomeo Montagna, oil pai...

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“Madonna with infant Jesus standing on a balustrade”, by Bartolomeo Montagna, oil painting on panel, beginning XVI century.

“Madonna with infant Jesus standing on a balustrade”, by Bar...

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“Christ at the column”, by Bartolomeo Montagna, oil painting on panel, second half of the XV century.

“Christ at the column”, by Bartolomeo Montagna, oil painting...

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“Madonna with infant Jesus”, by Bartolomeo Montagna, oil painting on panel, 1475.

“Madonna with infant Jesus”, by Bartolomeo Montagna, oil pai...

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“Madonna with infant Jesus under a pergola among Saints John the Baptist and Onuphrius”, by Bartolomeo Montagna, oil painting on panel, 1485-6.

“Madonna with infant Jesus under a pergola among Saints John...

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“St. Francis receives the stigmata among St. Clare and Peter, the blessed Bartolomeo of Breganze, and St. Paul and Bernardino”, by Marcello Fogolino, oil painting on panel, 1517-8.

“St. Francis receives the stigmata among St. Clare and Peter...

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“St. Francis receives the stigmata among St. Clare and Peter, the blessed Bartolomeo of Breganze, and St. Paul and Bernardino”, by Marcello Fogolino, oil painting on panel, 1517-8.

“St. Francis receives the stigmata among St. Clare and Peter...

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“St. Francis receives the stigmata among St. Clare and Peter, the blessed Bartolomeo of Breganze, and St. Paul and Bernardino”, by Marcello Fogolino, oil painting on panel, 1517-8. Detail.

“St. Francis receives the stigmata among St. Clare and Peter...

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“St. Francis receives the stigmata among St. Clare and Peter, the blessed Bartolomeo of Breganze, and St. Paul and Bernardino”, by Marcello Fogolino, oil painting on panel, 1517-8. Detail.

“St. Francis receives the stigmata among St. Clare and Peter...

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“Crucified Christ among St. Peter, the Virgin, Mary Magdalene, St. John the apostle and St. Benedict”, by Master of St. Peter in Vicenza, oil painting on canvas, eight-ninth decades XV century.

“Crucified Christ among St. Peter, the Virgin, Mary Magdalen...

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“Enthroned Madonna with infant Jesus among Saints Ansanus, Anthony the Great, Jerome and Francis”, by Bartolomeo Montagna, oil painting on panel, 1475-80.

“Enthroned Madonna with infant Jesus among Saints Ansanus, A...

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“Crucified Christ with the Virgin, St. John the Baptist and the Evangelist, Mary Magdalena and two cistercian abbots”, central panel of the triptych of Jan Crabbe, by Hans Memling, 1468-70, oil painting on panel. Detail.

“Crucified Christ with the Virgin, St. John the Baptist and...

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“Crucified Christ with the Virgin, St. John the Baptist and the Evangelist, Mary Magdalena and two cistercian abbots”, central panel of the triptych of Jan Crabbe, by Hans Memling, 1468-70, oil painting on panel.

“Crucified Christ with the Virgin, St. John the Baptist and...

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Fragment of lintel with Saints Apostles, half XIV century, Berici soft stone.

Fragment of lintel with Saints Apostles, half XIV century, B...

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“Tabernacle of the Blessed Sacrament with Christ in the tomb between St. Peter and St. Paul”, by school of Antonino da Venezia, 1427, painted colombine stone.

“Tabernacle of the Blessed Sacrament with Christ in the tomb...

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“Dormitio Virginis, St. Francis of Assisi, St. Anthony of Padua”, By Paolo Veneziano, 1333, tempera panel painting. Detail

“Dormitio Virginis, St. Francis of Assisi, St. Anthony of Pa...

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“Dormitio Virginis, St. Francis of Assisi, St. Anthony of Padua”, by Paolo Veneziano, 1333, tempera panel painting.

“Dormitio Virginis, St. Francis of Assisi, St. Anthony of Pa...

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“ St. Sylvester’s death”, by Battista da Vicenza, 1375? - 1438) , tempera panel painting.

“ St. Sylvester’s death”, by Battista da Vicenza, 1375? - 14...

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“ Pope St. Sylvester baptises Costantine in Laterano”, by Battista da Vicenza, 1375? - 1438) , tempera panel painting.

“ Pope St. Sylvester baptises Costantine in Laterano”, by Ba...

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“ Pope St. Sylvester defeats the dragon of the tarpeian rock”, by Battista da Vicenza, 1375? - 1438) , tempera panel painting.

“ Pope St. Sylvester defeats the dragon of the tarpeian rock...

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“Dispute of St. Sylvester with the Rome rabbis at the presence of Costantine and Helen”, by Battista da Vicenza, (1375? - 1438) , tempera panel painting.

“Dispute of St. Sylvester with the Rome rabbis at the presen...

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“Bianca Maria Visconti”, statue in Carrara marble, by Alberto Maffioli, 1491-4.

“Bianca Maria Visconti”, statue in Carrara marble, by Albert...

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“Francesco Sforza”, statue in Carrara marble, by Alberto Maffioli, 1491-4.

“Francesco Sforza”, statue in Carrara marble, by Alberto Maf...

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“Bianca Maria Visconti, Francesco Sforza”, statue in Carrara marble, by Alberto Maffioli, 1491-4.

“Bianca Maria Visconti, Francesco Sforza”, statue in Carrara...

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“St. Vincent with a model of the town of Vicenza”, by Francesco Maffei, oil on canvas, 1635-40. Detail.

“St. Vincent with a model of the town of Vicenza”, by France...

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“St. Vincent with a model of the town of Vicenza”, by Francesco Maffei, oil on canvas, 1635-40.

“St. Vincent with a model of the town of Vicenza”, by France...

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“Glorification of the Podestà Girolamo Priuli”, by Francesco Maffei, oil on canvas, 1649. In the lower left, Vicenza is represented. Detail.

“Glorification of the Podestà Girolamo Priuli”, by Francesco...

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“Glorification of the Podestà Girolamo Priuli”, by Francesco Maffei, oil on canvas, 1649. The two female figures are a symbol of Meekness and Fidelity, in the submission to Venice represented by the lion of St. Mark. In the lower left, Vicenza is represented.

“Glorification of the Podestà Girolamo Priuli”, by Francesco...

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Civic Museum of Chiericati Palace: some artworks.

Civic Museum of Chiericati Palace: some artworks.

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“Laban looks for the idols hidden by Rachel”, by Giovanni Antonio de Pieri known as the (Zoppo) Lame, oil painting on canvas, early XVIII century.

“Laban looks for the idols hidden by Rachel”, by Giovanni An...

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Study for “Madonna with Infant Jesus threading a crown”, by Giovanni Antonio de Pieri known as the (Zoppo) Lame, pen, ink, watercolour and pencil on paper, 1716

Study for “Madonna with Infant Jesus threading a crown”, by...

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Statue.

Statue.

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Statue.

Statue.

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Civic Museum of Chiericati Palace, Hall of the Council of Gods: ceiling. Frescoes by Battista Zeloti. In the center, "Zeus, Juno, Neptune and Cybele", which represent fire, air, water and earth.

Civic Museum of Chiericati Palace, Hall of the Council of Go...

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Civic Museum of Chiericati Palace, Hall of the Council of Gods: ceiling. Frescoes by Battista Zeloti. In the center, "Zeus, Juno, Neptune and Cybele", which represent fire, air, water and earth. In the monochromes, episodes from the myth of Io and in the lunettes, personifications of the Bacchiglione, Retrone and Astico rivers. The stuccos are by Bartolomeo Ridolfi.

Civic Museum of Chiericati Palace, Hall of the Council of Go...

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“Self portrait”, by Louis Dorigny, 1712-30, oil painting on canvas.

“Self portrait”, by Louis Dorigny, 1712-30, oil painting on...

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“Allegory of Concord”, by Louis Dorigny, 1695, oil painting on canvas.

“Allegory of Concord”, by Louis Dorigny, 1695, oil painting...

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“Andromeda”, by Louis Dorigny, 1675-1700, detached fresco.

“Andromeda”, by Louis Dorigny, 1675-1700, detached fresco.

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“Diana and the nymphs”, by Giambattista Pittoni, oil painting on canvas, 1725.

“Diana and the nymphs”, by Giambattista Pittoni, oil paintin...

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“Olindo and Sophronia”, by Giambattista Pittoni, oil painting on canvas, 1721.

“Olindo and Sophronia”, by Giambattista Pittoni, oil paintin...

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Civic Museum of Chiericati Palace, Hall of the Firmament: the ceiling with allegorical subject (1557-8). In the centre, “Phaeton loses control of the chariot of the Sun and the horses. Behind him, the chariot of the Moon driven by Diana ”. The frescoes in the panels represent the constellations. The white and golden stucco squares are by Bartolomeo Ridolfi. The frescoes are by Domenico Riccio, known as Brusasorzi. The grotesques are by Eliodoro Forbicini.The cycle represents an example of sixteenth-century astrological studies.

Civic Museum of Chiericati Palace, Hall of the Firmament: th...

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Civic Museum of Chiericati Palace, Hall of the Firmament: the ceiling with allegorical subject (1557-8). In the centre, “Phaeton loses control of the chariot of the Sun and the horses. Behind him, the chariot of the Moon driven by Diana ”. The frescoes in the panels represent the constellations. The white and golden stucco squares are by Bartolomeo Ridolfi. The frescoes are by Domenico Riccio, known as Brusasorzi. The grotesques are by Eliodoro Forbicini.The cycle represents an example of sixteenth-century astrological studies.

Civic Museum of Chiericati Palace, Hall of the Firmament: th...

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“Perspective with ruins and figures”, by Marco and Sebastian Ricci, 1720-9, oil painting on canvas. Detail.

“Perspective with ruins and figures”, by Marco and Sebastian...

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“Perspective with ruins and figures”, by Marco and Sebastian Ricci, 1720-9, oil painting on canvas. Detail.

“Perspective with ruins and figures”, by Marco and Sebastian...

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“Perspective with ruins and figures”, by Marco and Sebastian Ricci, 1720-9, oil painting on canvas.

“Perspective with ruins and figures”, by Marco and Sebastian...

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“Ecstasy of St. Francis”, by Giambattista Piazzetta, 1729, oil painting on canvas. Detail.

“Ecstasy of St. Francis”, by Giambattista Piazzetta, 1729, o...

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“Ecstasy of St. Francis”, by Giambattista Piazzetta, 1729, oil painting on canvas.

“Ecstasy of St. Francis”, by Giambattista Piazzetta, 1729, o...

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Vicenza, Olympic Theatre, interior: view of the grandiose proscenium, the cavea and the loggia of the theatre, . The theatre was designed by Andrea Palladio. The construction site of the theatre started in 1580, the year of the architect's death. The works were then followed by his son Silla with the intervention of Vincenzo Scamozzi for the scene and the famous seven streets of Thebes.

Vicenza, Olympic Theatre, interior: view of the grandiose pr...

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Vicenza, Olympic Theatre, interior: view of the grandiose proscenium, the cavea and the loggia of the theatre, . The theatre was designed by Andrea Palladio. The construction site of the theatre started in 1580, the year of the architect's death. The works were then followed by his son Silla with the intervention of Vincenzo Scamozzi for the scene and the famous seven streets of Thebes.

Vicenza, Olympic Theatre, interior: view of the grandiose pr...

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Vicenza, Olympic Theatre, interior: view of the grandiose proscenium, the cavea and the loggia of the theatre, . The theatre was designed by Andrea Palladio. The construction site of the theatre started in 1580, the year of the architect's death. The works were then followed by his son Silla with the intervention of Vincenzo Scamozzi for the scene and the famous seven streets of Thebes.

Vicenza, Olympic Theatre, interior: view of the grandiose pr...

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Vicenza, Olympic Theatre, interior: the grandiose proscenium of the theatre during the show “Son et Lumière”. The theatre was designed by Andrea Palladio. The construction site of the theatre started in 1580, the year of the architect's death. The works were then followed by his son Silla with the intervention of Vincenzo Scamozzi for the scene and the famous seven streets of Thebes.

Vicenza, Olympic Theatre, interior: the grandiose prosceniu...

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Vicenza, Olympic Theatre, interior: detail of the “porta regia” in the grandiose proscenium of the theatre during the show “Son et Lumière”. The theatre was designed by Andrea Palladio. The construction site of the theatre started in 1580, the year of the architect's death. The works were then followed by his son Silla with the intervention of Vincenzo Scamozzi for the scene and the famous seven streets of Thebes.

Vicenza, Olympic Theatre, interior: detail of the “porta reg...

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Vicenza, Olympic Theatre, interior: the grandiose proscenium of the theatre. The theatre was designed by Andrea Palladio. The construction site of the theatre started in 1580, the year of the architect's death. The works were then followed by his son Silla with the intervention of Vincenzo Scamozzi for the scene and the famous seven streets of Thebes.

Vicenza, Olympic Theatre, interior: the grandiose prosceniu...

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Vicenza, Olympic Theatre, interior: detail of the “porta regia” in the grandiose proscenium of the theatre. The theatre was designed by Andrea Palladio. The construction site of the theatre started in 1580, the year of the architect's death. The works were then followed by his son Silla with the intervention of Vincenzo Scamozzi for the scene and the famous seven streets of Thebes.

Vicenza, Olympic Theatre, interior: detail of the “porta reg...

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Vicenza, Olympic Theatre, interior: the grandiose proscenium of the theatre. The theatre was designed by Andrea Palladio. The construction site of the theatre started in 1580, the year of the architect's death. The works were then followed by his son Silla with the intervention of Vincenzo Scamozzi for the scene and the famous seven streets of Thebes.

Vicenza, Olympic Theatre, interior: the grandiose prosceniu...

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The Olympic Theatre: hall of the vestibule (anteode): monochrome fresco reproducing theatrical productions curated by the academy. The fresco is attributed to Alessandro Maganza.

The Olympic Theatre: hall of the vestibule (anteode): monoch...

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The Olympic Theatre: hall of the vestibule (anteode): monochrome fresco reproducing theatrical productions curated by the academy. The fresco is attributed to Alessandro Maganza.

The Olympic Theatre: hall of the vestibule (anteode): monoch...

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The Olympic Theatre: hall of the vestibule (anteode): monochrome fresco reproducing theatrical productions curated by the academy. The fresco is attributed to Alessandro Maganza.

The Olympic Theatre: hall of the vestibule (anteode): monoch...

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The Olympic Theatre: hall of the vestibule (anteode): monochrome fresco reproducing the visit to the theater by the Japanese delegation in 1585. The fresco is attributed to Alessandro Maganza.

The Olympic Theatre: hall of the vestibule (anteode): monoch...

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The Olympic Theatre: oil lamps used for lighting the wooden scenes of Vicenza Scamozzi, 1585.

The Olympic Theatre: oil lamps used for lighting the wooden...

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Vicenza: partial view of the courtyard of the Olympic Theatre with a statue.

Vicenza: partial view of the courtyard of the Olympic Theatr...

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Vicenza: partial view of the courtyard of the Olympic Theatre with a statue.

Vicenza: partial view of the courtyard of the Olympic Theatr...

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Vicenza: partial view of the courtyard of the Olympic Theatre with a statue.

Vicenza: partial view of the courtyard of the Olympic Theatr...

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Vicenza: partial view of the courtyard of the Olympic Theatre with a statue.

Vicenza: partial view of the courtyard of the Olympic Theatr...

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Vicenza: partial view of the courtyard of the Olympic Theatre with some statues.

Vicenza: partial view of the courtyard of the Olympic Theatr...

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Vicenza: partial view of the courtyard of the Olympic Theatre with some statues.

Vicenza: partial view of the courtyard of the Olympic Theatr...

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Vicenza: bust of a statue in the courtyard of the Olympic Theatre.

Vicenza: bust of a statue in the courtyard of the Olympic Th...

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Vicenza: bust of a statue in the courtyard of the Olympic Theatre.

Vicenza: bust of a statue in the courtyard of the Olympic Th...

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“The Olympic Theatre, Vicenza: study of the right side”, drawing by Vincenzo Scamozzi, 1584, ink, pen and brush on paper.

“The Olympic Theatre, Vicenza: study of the right side”, dra...

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“Bust portrait of Vincenzo Pellegrini”, by Alessandro Vittoria, 1562-6, marble.

“Bust portrait of Vincenzo Pellegrini”, by Alessandro Vittor...

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Wooden model of the Palladian Basilica (Palazzo della Ragione) in Vicenza, realised by the "Ballico-Officina Modellisti" of Schio in 1976. In the background, the roofing of the Palladian Basilica, 25 meters high at the top.

Wooden model of the Palladian Basilica (Palazzo della Ragion...

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Wooden model of the Palladian Basilica (Palazzo della Ragione) in Vicenza, realised by the "Ballico-Officina Modellisti" of Schio in 1976. In the background, the roofing of the Palladian Basilica, 25 meters high at the top.

Wooden model of the Palladian Basilica (Palazzo della Ragion...

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Wooden model of the Palladian Basilica (Palazzo della Ragione) in Vicenza, realised by the "Ballico-Officina Modellisti" of Schio in 1976. In the background, the roofing of the Palladian Basilica, 25 meters high at the top.

Wooden model of the Palladian Basilica (Palazzo della Ragion...

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Wooden model of the Palladian Basilica (Palazzo della Ragione) in Vicenza, realised by the "Ballico-Officina Modellisti" of Schio in 1976. In the background, the roofing of the Palladian Basilica, 25 meters high at the top.

Wooden model of the Palladian Basilica (Palazzo della Ragion...

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Model of “the small temple of Villa Barbaro in Maser“, by Andrea Palladio, wood and porcelain.

Model of “the small temple of Villa Barbaro in Maser“, by A...

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“Madonna and Infant Jesus between S. Catherine of Alessandria and Peter”, by Paolo Caliari, known as Veronese, 1550, oil painting on canvas. Detail.

“Madonna and Infant Jesus between S. Catherine of Alessandri...

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“Madonna and Infant Jesus between S. Catherine of Alessandria and Peter”, by Paolo Caliari, known as Veronese, 1550, oil painting on canvas.

“Madonna and Infant Jesus between S. Catherine of Alessandri...

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“Madonna and Infant Jesus between S. Catherine of Alessandria and Peter”, by Paolo Caliari, known as Veronese, 1550, oil painting on canvas.

“Madonna and Infant Jesus between S. Catherine of Alessandri...

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“Elements of the temple of Minerva and the Forum of Nerva in Rome, with variants of the Corinthian capital”, 1540s; by Andrea Palladio; ink, pen and brush.

“Elements of the temple of Minerva and the Forum of Nerva in...

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“St. Augustine heals the lame”, by Jacopo Tintoretto, 1551, oil painting on canvas. Detail.

“St. Augustine heals the lame”, by Jacopo Tintoretto, 1551,...

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“St. Augustine heals the lame”, by Jacopo Tintoretto, 1551, oil painting on canvas. Detail.

“St. Augustine heals the lame”, by Jacopo Tintoretto, 1551,...

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“St. Augustine heals the lame”, by Jacopo Tintoretto, 1551, oil painting on canvas. Detail.

“St. Augustine heals the lame”, by Jacopo Tintoretto, 1551,...

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“St. Augustine heals the lame”, by Jacopo Tintoretto, 1551, oil painting on canvas.

“St. Augustine heals the lame”, by Jacopo Tintoretto, 1551,...

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Model of Chiericati Palace in Vicenza, by Andrea Palladio, wood with porcelain details.

Model of Chiericati Palace in Vicenza, by Andrea Palladio, w...

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“Portrait of Giuseppe Gualdo with his children Paolo and Emilio”, by Giovanni Antonio Fasolo, 1566-7, oil painting on canvas.

“Portrait of Giuseppe Gualdo with his children Paolo and Emi...

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“Portrait of Paola Bonanome Gualdo with her daughters Laura e Virginia”, by Giovanni Antonio Fasolo, 1566-7, oil painting on canvas.

“Portrait of Paola Bonanome Gualdo with her daughters Laura...

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Church of Santa Corona, counterfacade: “Our lady of Mercy and Blessed Isnardo da Chiampo”, fresco by Alessandro Verla, 1519. Detail.

Church of Santa Corona, counterfacade: “Our lady of Mercy an...

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Church of Santa Corona, counterfacade: “Our lady of Mercy and Blessed Isnardo da Chiampo”, fresco by Alessandro Verla, 1519. Detail.

Church of Santa Corona, counterfacade: “Our lady of Mercy an...

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Church of Santa Corona, counterfacade: “Our lady of Mercy and Blessed Isnardo da Chiampo”, fresco by Alessandro Verla, 1519.

Church of Santa Corona, counterfacade: “Our lady of Mercy an...

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Church of Santa Corona, Porto Pagello Altar, XVI century: “St. Mary Magdalene, among St. Jerome, St. Monica, St. Paula and St. Agustine”, by Bartolomeo Montagna (1514-5).

Church of Santa Corona, Porto Pagello Altar, XVI century: “S...

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Church of Santa Corona, Porto Pagello Altar, XVI century: “St. Mary Magdalene, among St. Jerome, St. Monica, St. Paula and St. Agustine”, by Bartolomeo Montagna (1514-5).

Church of Santa Corona, Porto Pagello Altar, XVI century: “S...

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Church of Santa Corona: “Madonna of the Stars”, by Lorenzo Veneziano and Marcello Fogolino. The fourteenth-century panel by Veneziano was modified in the first decades of the sixteenth century by Fogolino who transformed it into an altarpiece. Fogolino added the predella and the detail of the Renaissance view of Vicenza. Detail of the city of Vicenza.

Church of Santa Corona: “Madonna of the Stars”, by Lorenzo V...

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Church of Santa Corona: “Madonna of the Stars”, by Lorenzo Veneziano and Marcello Fogolino. The fourteenth-century panel by Veneziano was modified in the first decades of the sixteenth century by Fogolino who transformed it into an altarpiece. Fogolino added the predella and the detail of the Renaissance view of Vicenza.

Church of Santa Corona: “Madonna of the Stars”, by Lorenzo V...

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Church of Santa Corona: “Madonna of the Stars”, by Lorenzo Veneziano and Marcello Fogolino. The fourteenth-century panel by Veneziano was modified in the first decades of the sixteenth century by Fogolino who transformed it into an altarpiece. Fogolino added the predella and the detail of the Renaissance view of Vicenza. Detail of trees and clouds.

Church of Santa Corona: “Madonna of the Stars”, by Lorenzo V...

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Church of Santa Corona: “Madonna of the Stars”, by Lorenzo Veneziano and Marcello Fogolino. The fourteenth-century panel by Veneziano was modified in the first decades of the sixteenth century by Fogolino who transformed it into an altarpiece. Fogolino added the predella and the detail of the Renaissance view of Vicenza. Detail of the city of Vicenza.

Church of Santa Corona: “Madonna of the Stars”, by Lorenzo V...

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Church of Santa Corona: “Madonna of the Stars”, by Lorenzo Veneziano and Marcello Fogolino. The fourteenth-century panel by Veneziano was modified in the first decades of the sixteenth century by Fogolino who transformed it into an altarpiece. Fogolino added the predella and the detail of the Renaissance view of Vicenza.

Church of Santa Corona: “Madonna of the Stars”, by Lorenzo V...

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Vicenza, Church of St. Corona: Chapter room with the altar by Giovanni Salvi, 1714.

Vicenza, Church of St. Corona: Chapter room with the altar...

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Vicenza, Church of St. Corona: the sink of the ancient refectory in red Verona marble (ammonite red).

Vicenza, Church of St. Corona: the sink of the ancient refe...

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Vicenza, Church of St. Corona: dedication of the main altar (1682).

Vicenza, Church of St. Corona: dedication of the main altar...

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Vicenza, Church of St. Corona: Angelo Marinali’s signature. This artist realised the sculptures of the main altar.

Vicenza, Church of St. Corona: Angelo Marinali’s signature....

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Vicenza, Church of St. Corona: bust of the Florentine Francesco Antonio Corbarelli who realised the marble and precious stones inlays of the sumptuous ensemble of the main altar.

Vicenza, Church of St. Corona: bust of the Florentine Franc...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The precious marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670).

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The precious marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670).

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with vase of flowers and birds.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with vase of flowers and birds.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with “Bishop Bartholomew entering Vicenza”

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with “Christ mocked”.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with ”St. Louis IX gives the relic of the cross to Blessed Bartolomeo da Breganze”.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with angel.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with allegory.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with allegory of Justice.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with angel playing music holding a music sheet.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with angel playing music.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with cornucopias with fruits and flower and painting representing Christ.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with vase of flowers and birds.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with “"Habakkuk, carried by the angel, brings food to Daniel in the lions' den".

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with “The Madonna of Monte Berico appearing to Vincenza Pasini”

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with “Resurrection”.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670). Detail with “The Last Supper”.

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670).

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: the main altar (1669), equipped with two tables, surmounted by a grandiose marble tabernacle. The marble and precious stones inlays of the sumptuous ensemble are the work of the Florentine Francesco Antonio Corbarelli (1670).

Vicenza, Church of St. Corona: the main altar (1669), equip...

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Vicenza, Church of St. Corona: Thiene Chapel. At the altar, “St. Peter and St. Paul and Pius V adoring Mary”, by Giovanni Battista Pittoni, 1723.

Vicenza, Church of St. Corona: Thiene Chapel. At the altar,...

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Vicenza, Church of St. Corona: Thiene Chapel. At the altar, “St. Peter and St. Paul and Pius V adoring Mary”, by Giovanni Battista Pittoni, 1723.

Vicenza, Church of St. Corona: Thiene Chapel. At the altar,...

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Vicenza, Church of St. Corona: Thiene Chapel. At the altar, “St. Peter and St. Paul and Pius V adoring Mary”, by Giovanni Battista Pittoni, 1723.

Vicenza, Church of St. Corona: Thiene Chapel. At the altar,...

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Vicenza, Church of St. Corona, Thiene Chapel: tomb of Marco Thiene, late 1400 - early 1500, surmounted by a fresco attributed to Michelino da Besozzo.

Vicenza, Church of St. Corona, Thiene Chapel: tomb of Marco...

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Vicenza, Church of St. Corona, Thiene Chapel: tomb of Giovanni Thiene, late 1400 - early 1500, surmounted by a fresco attributed to Michelino da Besozzo.

Vicenza, Church of St. Corona, Thiene Chapel: tomb of Giova...

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Vicenza, Church of St. Corona: Chapel of the Rosary (1613 - 1642). The architecture and sculptural apparatus are attributed to Giambattista and Girolamo Albanese, the pictorial cycle to Alessandro Maganza, and the altar framing with 15 octagons depicting "the Mysteries of the Rosary" to Pietro Damini.

Vicenza, Church of St. Corona: Chapel of the Rosary (1613 -...

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Vicenza, Church of St. Corona, Chapel of St. Joseph: “Adoration of the Magi”, by Paolo Caliari known as il Veronese, 1573.

Vicenza, Church of St. Corona, Chapel of St. Joseph: “Adora...

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Vicenza, Church of St. Corona, Chapel of St. Joseph: “Adoration of the Magi”, by Paolo Caliari known as il Veronese, 1573.

Vicenza, Church of St. Corona, Chapel of St. Joseph: “Adora...

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Vicenza, Church of St. Corona, Chapel of St. Joseph: “Adoration of the Magi”, by Paolo Caliari known as il Veronese, 1573.

Vicenza, Church of St. Corona, Chapel of St. Joseph: “Adora...

21623_0135.jpg
Vicenza, Duomo (Cathedral of St. Mary Annunciate): “Dormitio Virginis, Crucifixion, Apostles, Saints and Evangelists”, polyptych by Lorenzo Veneziano, 1366.

Vicenza, Duomo (Cathedral of St. Mary Annunciate): “Dormitio...

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Vicenza, St. Lawrence Church, the counter-façade: “monument dedicated to General G. B. Da Porto”, baroque art work decorated by war emblems, by Agostino Festa, 1661.

Vicenza, St. Lawrence Church, the counter-façade: “monument...

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Vicenza, St. Lawrence Church: the interior.

Vicenza, St. Lawrence Church: the interior.

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Vicenza, St. Lawrence Church: the cloister.

Vicenza, St. Lawrence Church: the cloister.

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Vicenza, St. Lawrence, Chapel of the Madonna: memorial dedicated to Bartolomeo da Porto, by Pier Paolo delle Mesegne, end 1440 - beginning 1500.

Vicenza, St. Lawrence, Chapel of the Madonna: memorial dedic...

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Vicenza, St. Lawrence, Chapel of the Madonna: “Madonna and Child between Saints Peter and Paul”, sculptures by Antonino da Venezia, dominated by a marble canopy supported by three angels.

Vicenza, St. Lawrence, Chapel of the Madonna: “Madonna and C...

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Vicenza, St. Lawrence, Chapel of the Madonna: “Beheading of St. Paul”, fresco brought to canvas, by Bartolomeo Montagna, 1500.

Vicenza, St. Lawrence, Chapel of the Madonna: “Beheading of...

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Vicenza, St. Lawrence, right transept: “The Poiana Altar ”(1400). Upper section formed by the pediment and the “Crucifixion" by Bartolomeo Montagna (late 1500s). Lower compartment: "Christ held by St Francis and St. Bernardino of Siena".

Vicenza, St. Lawrence, right transept: “The Poiana Altar ”(1...

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Vicenza, St. Lawrence, right transept: “The Poiana Altar ”(1400). Upper section formed by the pediment and the “Crucifixion" by Bartolomeo Montagna (late 1500s). Lower compartment: "Christ held by St Francis and St. Bernardino of Siena". On the sides statues of St. Clare and St. Elizabeth of Hungary.

Vicenza, St. Lawrence, right transept: “The Poiana Altar ”(1...

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Vicenza, St. Lawrence Church, the facade: the left jamb of the portal.

Vicenza, St. Lawrence Church, the facade: the left jamb of...

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Vicenza, St. Lawrence Church, the facade: the right jamb of the portal.

Vicenza, St. Lawrence Church, the facade: the right jamb of...

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Vicenza, St. Lawrence Church, facade, the portal: in the lunette "Madonna Enthroned with Child, St. Francis and St. Lawrence presenting a dwarf” (Pietro da Marano, councilor of the Scaligeri and client), in the architrave “the Eternal Father and eight Saints ". Work by Andriolo de' Santi and helpers, 1342-4.

Vicenza, St. Lawrence Church, facade, the portal: in the lu...

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Vicenza, St. Lawrence Church, the facade: the portal.

Vicenza, St. Lawrence Church, the facade: the portal.

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Vicenza, St. Lawrence Church, the facade: the portal.

Vicenza, St. Lawrence Church, the facade: the portal.

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Vicenza, St. Lawrence Church: the facade.

Vicenza, St. Lawrence Church: the facade.

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Vicenza, Fogazzaro Avenue: detail of the facade of the Corso cinema, decorated with some statue that represent Arts.

Vicenza, Fogazzaro Avenue: detail of the facade of the Corso...

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Vicenza, Fogazzaro Avenue: detail of the facade of the Corso cinema, decorated with some statue that represent Arts.

Vicenza, Fogazzaro Avenue: detail of the facade of the Corso...

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Vicenza: night view of the porch which connects the Southern side to the Northern side of the Palladian Basilica and where there is the Jewellery Museum.

Vicenza: night view of the porch which connects the Southern...

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Vicenza: partial view of Northern side of the Palladian Basilica and the Bissara Tower.

Vicenza: partial view of Northern side of the Palladian Basi...

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Vicenza: night view of Southern side of dei Signori Square with the Bissara Tower and the Palladian Basilica.

Vicenza: night view of Southern side of dei Signori Square w...

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Vicenza: view of Southern side of dei Signori Square with the Bissara Tower and the Palladian Basilica.

Vicenza: view of Southern side of dei Signori Square with th...

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Vicenza: view of Southern side of dei Signori Square with the Bissara Tower and the Palladian Basilica.

Vicenza: view of Southern side of dei Signori Square with th...

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Vicenza, Piazzetta Andrea Palladio: outdoor bar tables and the statue dedicated to Andrea Palladio, di Vicenza Gajassi, 1859. On the left, a glimpse of the Palladian Basilica.

Vicenza, Piazzetta Andrea Palladio: outdoor bar tables and...

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Vicenza: view of the loggia at the first floor of the Northern side of the Palladian Basilica which overlooks Delle Erbe Square.

Vicenza: view of the loggia at the first floor of the Northe...

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Vicenza: view of the loggia at the first floor of the Northern side of the Palladian Basilica which overlooks Delle Erbe Square.

Vicenza: view of the loggia at the first floor of the Northe...

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Vicenza: view of the loggia at the first floor of the Northern side of the Palladian Basilica which overlooks Delle Erbe Square.

Vicenza: view of the loggia at the first floor of the Northe...

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Vicenza: flower vase in a niche of the porch of the Palladian Basilica.

Vicenza: flower vase in a niche of the porch of the Palladi...

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Vicenza, Delle Erbe Square: bar and restaurant tables. In the background, the medieval Girone Tower, due to the moat that surrounded it, or the Torment Tower, because it was later used as a prison.

Vicenza, Delle Erbe Square: bar and restaurant tables. In t...

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Vicenza: the sculpture “Our Roots, the Future”, by Andrea Roggi, bronze, 2020. Detail.

Vicenza: the sculpture “Our Roots, the Future”, by Andrea R...

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Vicenza: view of Southern side of dei Signori Square with the Palladian Basilica and the sculpture “our Roots, the Future”, by Andrea Roggli, bronze, 2020.

Vicenza: view of Southern side of dei Signori Square with th...

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Vicenza, dei Signori Square: flower stall in front of the portico of the Palladian Basilica, where you can see the goldsmith's workshop of Daniela Vettori.

Vicenza, dei Signori Square: flower stall in front of the po...

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Vicenza, dei Signori Square: flower stall in front of the portico of the Palladian Basilica.

Vicenza, dei Signori Square: flower stall in front of the po...

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Vicenza, dei Signori Square: the Monte di Pietà Palace - Church of St. Vincent.

Vicenza, dei Signori Square: the Monte di Pietà Palace - Chu...

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Vicenza, dei Signori Square: the first floor loggia of the Palladian Basilica. In the background, the Monte di Pietà Palace - Church of St. Vincent.

Vicenza, dei Signori Square: the first floor loggia of the P...

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Vicenza, Matteotti Square: the monument dedicated to Fedele Lampertico, Italian economist, writer and politician. In the background, the entrance to the Olympic Theater.

Vicenza, Matteotti Square: the monument dedicated to Fedele...

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Vicenza: "Children's Fountain" or "Swing”, sculpture by Nereo Quagliato, 1984, incontrà Garibaldi, known as Piazza delle Poste.

Vicenza: "Children's Fountain" or "Swing”, sculpture by Nere...

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Vicenza: "Children's Fountain" or "Swing”, sculpture by Nereo Quagliato, 1984, incontrà Garibaldi, known as Piazza delle Poste. Detail.

Vicenza: "Children's Fountain" or "Swing”, sculpture by Nere...

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Vicenza: the facade of Gastaldi House in Contrà Porta S. Lucia. Detail of the decoration representing the instruments used in silkmaking.

Vicenza: the facade of Gastaldi House in Contrà Porta S. Luc...

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Vicenza: the facade of Gastaldi House in Contrà Porta S. Lucia. Detail of the decoration representing the instruments used in silkmaking.

Vicenza: the facade of Gastaldi House in Contrà Porta S. Luc...

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Vicenza: the facade of Gastaldi House in Contrà Porta S. Lucia. At the centre, the bust of the most famous silkmaker from Vicenza, Franceschini, portrayed in the guise of General Belisario. Underneath there are some lines of "Italy liberated from the Goths" by G.Giorgio Trissino who greet in Belisario he who first brought the art of silk to the West from Persia.

Vicenza: the facade of Gastaldi House in Contrà Porta S. Luc...

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Vicenza: the facade of Gastaldi House in Contrà Porta S. Lucia. At the centre, the bust of the most famous silkmaker from Vicenza, Franceschini, portrayed in the guise of General Belisario. Underneath there are some lines of "Italy liberated from the Goths" by G.Giorgio Trissino who greet in Belisario he who first brought the art of silk to the West from Persia.

Vicenza: the facade of Gastaldi House in Contrà Porta S. Luc...

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Vicenza, Gastaldi House in Contrà Porta S. Lucia: the bust of the most famous silkmaker from Vicenza, Franceschini, portrayed in the guise of General Belisario. Underneath there are some lines of "Italy liberated from the Goths" by G.Giorgio Trissino who greet in Belisario he who first brought the art of silk to the West from Persia.

Vicenza, Gastaldi House in Contrà Porta S. Lucia: the bust o...

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Vicenza, Gastaldi House in Contrà Porta S. Lucia: the bust of the most famous silkmaker from Vicenza, Franceschini, portrayed in the guise of General Belisario. Underneath there are some lines of "Italy liberated from the Goths" by G.Giorgio Trissino who greet in Belisario he who first brought the art of silk to the West from Persia.

Vicenza, Gastaldi House in Contrà Porta S. Lucia: the bust o...

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Vicenza: bust and epigraph dedicated to Valerio Belli, Italian Renaissance goldsmith, engraver and medalist, also known as Valerio Vicentino from his birthplace.

Vicenza: bust and epigraph dedicated to Valerio Belli, Itali...

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Vicenza, arcades of Corso Palladio: epigraph concerning a massacre carried out in 1548 by the villain Galeazzo da Roma.

Vicenza, arcades of Corso Palladio: epigraph concerning a ma...

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Vicenza: plaque dedicated to Luigi da Porto, sixteenth-century Vicenza writer and historian, known for having created the story and the characters of Romeo and Juliet.

Vicenza: plaque dedicated to Luigi da Porto, sixteenth-cen...

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Vicenza: San Michele Bridge. Based on a Venetian model, the bridge was built where the two rivers that cross Vicenza meet: the Bacchiglione and the Retrone.

Vicenza: San Michele Bridge. Based on a Venetian model, the...

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Salvi Gardens: Loggia Valmarana (loggia with six Doric columns topped by a triangular pediment). In 1994 Unesco decided to attribute the project to Andrea Palladio.

Salvi Gardens: Loggia Valmarana (loggia with six Doric colum...

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Salvi Gardens: Loggia Valmarana (loggia with six Doric columns topped by a triangular pediment). In 1994 Unesco decided to attribute the project to Andrea Palladio.

Salvi Gardens: Loggia Valmarana (loggia with six Doric colum...

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View of the Salvi Gardens in Vicenza. In the background, the tower of the Scaligero castle.

View of the Salvi Gardens in Vicenza. In the background, the...

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“Crucifix”, by a sculptor from the Veneto - Pre-Alpine area, in poplar wood, carved in polychrome, 13th-14th century.

“Crucifix”, by a sculptor from the Veneto - Pre-Alpine area...

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Vicenza, Villa Valmarana ai Nani, Guest Lodgings: portrait of the architect and scenographer Andrea Palladio (Andrea Di Pietro, born in 1508 and died in 1580), 1576.

Vicenza, Villa Valmarana ai Nani, Guest Lodgings: portrait o...

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Vicenza, Villa Valmarana ai Nani, Guest Lodgings: portrait of the architect and scenographer Andrea Palladio (Andrea Di Pietro, born in 1508 and died in 1580), 1576.

Vicenza, Villa Valmarana ai Nani, Guest Lodgings: portrait o...